Further readings for the Canon EF 11-24mm f/4L USM
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We’ve tested 130 lenses on Canon’s flagship camera, the full-frame 18-Mpix Canon EOS-1D X Mk II, covering focal lengths ranging from an incredibly wide 11mm up to a super-telephoto 600mm.
We’ve split the results between primes and zooms and then arranged them into three groups according to use. This equates to ultra-wide and wide-angle, standard, and telephoto to help you narrow down the best performer in each.
However, this time we’ve compared lenses from the perspective of the camera’s intended market — the photojournalist. While they’re not really any different from the next photographer when it comes to choosing focal length, there are some models that perhaps require further consideration.
Taking aim squarely at the Canon EF11-24mm f/4L USM, this new 12-24mm f/4 lens from Sigma is part of its “Art” range of lenses. These lenses are designed to offer the optimum image quality possible without worrying about the normal compromises of cost, size or weight, and they are advertised as perfect for today’s range of ultra-high resolution camera sensors, where lens performance is more closely scrutinized than ever before — any degradation in performance will show up quickly and clearly.
Announced in September 2015, the new $479 Tokina AT-X 11-20mm f/2.8 Pro DX (Tokina 11-20mm f/2.8) is a wide-angle zoom lens for Canon, Nikon and Sony APS-C DSLRs. Updated from Tokina’s popular 11-16mm f/2.8, this latest wide-angle alternative offers an increased focal range that’s equivalent to roughly 18-32mm on Canon EF-S-format DSLRs.
In the third and final installment of our Best Lenses for the Canon EOS 5DS R review, we’re taking a closer look at results for wide-angle and macro lenses. For wide-angles, we’ve sub-divided the lenses into ultra-wide-angle primes between 14 and18mm, standard wide-angle primes between 20 and 28mm, and wide-angle zoom lenses that cover all of those focal lengths and more. To wrap things up for this series, our Macro section considers close-focus prime lenses with focal lengths between 90 and 180mm.
Launched side-by-side, the EOS 760D and EOS 750D (aka T6s and T6i in North America, respectively) share a lot in common, including the same high-resolution 24.2-Mpix APS-C CMOS sensor complete with Canon’s Hybrid CMOS AF III for fast and accurate focusing. We’ve put the two models through our labs coupled with a wide range of native and third-party Canon-mount lenses. Read on to find out how these models perform.
The EOS 7D Mark II is Canon’s flagship APS-C sensor DSLR, boasting a 20Mp resolution and a host of high-end features. It’s a popular choice for many serious enthusiasts and semi-pro photographers, so we’ve tested over 300 lenses on it to help you pick out the best one for you. In this first part of a two-part review, we round up the best zoom lenses for the Canon EOS 7D Mark II.