Further readings for the Sigma 50mm F1.4 DG HSM A Nikon
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
We’ve tested a total of 83 fixed focal length prime lenses on the D3400, including both FX-mount full-frame lenses, as well as the DX-mount optics that are specifically designed for use on the APS-C D3400. These lenses cover a vast range of focal lengths, from an ultra wide-angle 14mm for fitting lots into the frame, through to a super-telephoto 600mm focal length that offers a whopping 900mm equivalent on the D3400 (taking account of the Nikon 1.5x APS-C crop factor).
With a slightly narrower angle of view and a slightly greater image magnification than the 85mm, resulting in marginally more pronounced subject isolation, the 105mm has long been a popular alternative. This new high-speed F1.4 autofocus model from Nikon will eventually replace the earlier AF DC-Nikkor 105mm F2D (defocus control) model, and is currently the fastest of its type.
If you’ve invested in Nikon’s D500 APS-C DSLR, you’re no doubt delighted with its excellent build, tilting touch-screen LCD, new joystick control, chunky ergonomic handgrip, and large viewfinder. It’s a high-performance APS-C option, too, that includes the 153-point improved tracking autofocus system and Expeed 5 processing engine from Nikon’s flagship D5, as well as 10fps burst shooting of up to 200 14-bit RAW files.
Nikon’s latest flagship FX-mount, full-frame DSLR — the D5 — is a performance powerhouse, featuring a new 153-point autofocus system and 12 fps burst shooting of up to 200 14-bit RAW files. Designed for the traditional customer base of sports, press and wildlife pros demanding top performance, the D5’s increased 20.8Mp resolution and enhanced low-light capabilities has further broadened the D5’s appeal. As well as boasting enough pixels for advertising, magazine, and even landscape photography, the D5’s image quality improvements at the mid-ISO 1600–12,800 range will interest a range of professionals looking for great results in low light.
Zeiss has replaced its so-called “Classic” range of Nikon ZF.2 and Canon ZE SLR lenses with redesigned models reminiscent of the company’s high-end Otus range. Adopting the scientific name for a genus of birds of prey, the rebranded Milvus lens range consists of several models, with this particular 1.4/50 model featuring an all-new optical design as a replacement for the Planar T* 1,4/50.
Announced in January 2014, the Sigma 50mm F1.4 DG HSM is a high-speed premium AF lens with an image circle designed to cover full-frame sensors. When fitted to an APS-C camera, however, the angle of view is equivalent to a 75mm short telephoto.