Further readings for the Canon EF 100mm f/2.8L Macro IS USM
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
Although you would be forgiven for thinking all the lenses in the Milvus range from Zeiss are new from the ground up, this is not the case. Several of the models use the optical designs from the now-renamed Classic range and have been re-shelled. The Milvus 2/100M is one of those. It has the same 9-element design and high-speed f/2.0 maximum aperture as its predecessor, but it adopts upgraded T* coatings and a modern-shaped, anodized outer barrel with matching hood, reminiscent of the Otus models.
Towards the end of last year, Zeiss relaunched what the company now calls the Classic range of DSLR lenses for Canon and Nikon as the new Milvus line, in some cases completely redesigning the models and in other cases just changing the shell. This lens is a re-shelled version of the Makro Planar T* 2/100, however Zeiss claim that, with a new and enhanced T* coating, the lens has improved imaging characteristics.
In the third and final installment of our Best Lenses for the Canon EOS 5DS R review, we’re taking a closer look at results for wide-angle and macro lenses. For wide-angles, we’ve sub-divided the lenses into ultra-wide-angle primes between 14 and18mm, standard wide-angle primes between 20 and 28mm, and wide-angle zoom lenses that cover all of those focal lengths and more. To wrap things up for this series, our Macro section considers close-focus prime lenses with focal lengths between 90 and 180mm.
In Part 2 of “Best lenses for the EOS 7D Mark II,” we’re looking at the performance of primes on Canon’s flagship APS-C sensor.We’ve analyzed over 300 fixed-focal-length lenses on the EOS 7D Mark II, including own-brand Canon EF and EF-S lenses that are designed specifically for use on the Canon APS-C sensor. Covering a range of third-party alternatives as well, our comprehensive analysis will help you pick out a prime, whatever your photographic needs.
Sony has started to round out the E-mount lens range for their innovative full-frame A7 bodies and APS-C format cameras, and this new 1:1 stabilized macro lens looks to be a promising addition. Read on to find out how well this new model performs.
Launched in September 2012, the Tamron SP90mm f/2.8 Di Macro II VC USD lens aims to continue in the same vein as previous Tamron macro lenses by offering very high image quality in a well-priced package that rivals the offerings from the major camera manufacturers. A true macro lens, this model offers full 1:1 lifesize reproduction and includes Tamron’s Vibration Compensation (VC) mechanism to help achieve images free of camera shake even at longer shutter speeds. Also present is their USD, or Ultrasonic Silent Drive, AF motor for fast, quiet AF operation.
Canon’s EF 135mm f/2.8 Softfocus lens blurs images and reality – on purpose. With just a flick of the wrist and lens, the 135mm f/2.8 Softfocus allows photographers to have a “softfocus” in their images. The effect produces a blur and halo throughout the photograph. But how clear are the lens’ images when you take away the blur?
With it true 1:1 macro reproduction and its floating auto-focus system for high optical quality on its very broad range of focus, this Sigma macro lens looks like ideal for a wide variety of photographers, from nature to sport and portraits.